Cytomic‘s first product arrived 17 years ago and our lives have never been the same since! A very happy birthday to The Glue, an industry standard, still going strong. Thank you to all our customers who are using it to make amazing music. Whether used natively, or as part of Ableton, The Glue will continue to bring your mixes together by controlling dynamics in a transparent way, for years to come.
And listen out for upcoming news about The Glue 2… But don’t worry, support and sales of v1 will continue, as we will sell both versions as parallel products. Existing Cytomic Glue customers will get an automatic update to version 2.
These are names with pedigree, gravitas and a lot of history—and great music—behind them. All these famous synths have been loved for decades for their distinctive warmth and growly tones.
The main filters from each one of these synths are replicated in The Drop, all with Cytomic’s precision modelling. Released in 2012, The Drop gives you:
MS1 and MS2: Korg MS20 rev 1 (BJT SKF Sallen Key Filter) and rev2 (OTA SKF)
OSR: Oxford Synthesizer Co. OSCar (SVF State Variable Filter)
JRP: Roland Jupiter 8 / Juno 6 (IR3109 OTA Cascade)
SHR: Roland SH101 / SH-09 (IR3109 OTA Cascade) and
PRD: Moog Prodigy (BJT Ladder Cascade)
WSP: Wasp filter with full frequency range stable self oscillation modifications (CMOS SVF)
And, you also get:
SMP: Andy’s own filter creation, a custom filter half way between a Sallen Key and a SVF with an OTA filter core and strong resonance tone
AMU: a unique sounding transposed SVF as used in the Odyssey Mk1
KSM: a variation on the MS2 SKF but with stronger resonance
But now, with added Prophet!
In case you need a little something extra, we’ve added another classic filter to the lineup, one of the most sought after filters ever made:
PT1: Prophet 5 rev1 discrete OTA cascade filter
The PT1 filter—identical to the one released in our CF100 VCV Rack module—is a highly detailed analog model of the classic cascade filter found in the early Prophet synthesisers which used the SSM2040 filter chip. We also made a custom designed 4-pole high-pass version of the filter using the same filter core, and made sure each stage flips and clips the signal to make it as similar in operation to the low pass version as possible.
Bill Day (aka Mr Bill) and Andy Simper had a great chat, where they discussed a huge range of aspects of Andrew’s work, in depth. From audio programming and DSP algorithms, to the past, evolution and future of music production tools, Andrew outlines the challenges of hardware development, like optimising CPU, and recalls his early days of writing VST plugins. Cytomic’s compressor, The Glue, has been part of Ableton Live since 2013, and he has contributed to Ableton’s filters and EQ8. The conversation also explores the technicalities of filters, the transition from bi-quad to state variable filters, and the nuances of summing engines in audio quality. Throughout, they emphasize the importance of efficiency in DSP and the future of audio processing. It was a great chat, thanks Mr Bill!
Chapters
00:00 Introduction and Background 06:02 Early Days of Audio Programming 11:56 The Glue Compressor and Its Impact 18:01 The Transition to Better Algorithms 23:55 The Future of Audio Processing 30:33 Understanding Audio Summing and Its Implications 36:06 The Complexity of DSP Equations 41:18 Optimizing CPU Usage in Audio Plugins 52:12 Challenges in Audio Feature Extraction 59:17 The Complexity of Circuit Simulation 01:06:18 Modeling Analog Gear: The Importance of Realism 01:11:39 Criteria for Meaningful Emulation vs. Mimicry 01:20:40 Imagining Unlimited Computational Power in DSP 01:25:42 Unsolved Problems in Digital Signal Processing
Cytomic has finished its third product, The Scream, a plugin emulation of the classic TS808 Tube Screamer by Ibanez, and Cytomic’s most detailed plugin yet.
The Scream covers all the classic sounds you’d expect from one of the world’s favourite guitar overdrive pedals, but also includes full editing of every parameter of the entire circuit, so you can not only cover all the most popular mods, but also push into new territory.
You can lower the drive high pass for use on bassier signals, or adjust the op-amp slew rate and output voltage clipping to add extra crunch to synths. You can use LEDs with non-linear diffusion capacitance for a smoother and more open drive sound, or even increase the power voltage and lower the dc-blocking filters to use for subtle bus warming. Then on top of that you can randomise everything, in stereo, so each and every track can have a different variation of the tone in seconds.
The Scream is a true chameleon, an electronic circuit turned into infinitely malleable clay through accurate, detailed, and efficient analog modelling that Cytomic always delivers.
But don’t take our word for it, read the recent review in Sound on Sound here:
“Computer Music magazine has given The Drop 10/10 and all award badges…”
Computer Music magazine has given The Drop 10/10 and all award badges: Value, Performance, and the prestigious Editor’s Choice. Check out the full review in Computer Music January 2015.
“Cytomic is proud to announce a collaboration with Ableton, including the inclusion of The Glue as a native Live 9 device, and a new algorithm for their EQ 8 device…”
Cytomic is proud to announce a collaboration with Ableton, including the inclusion of The Glue as a native Live 9 device, and a new algorithm for their EQ 8 device.
The Live 9 device Glue Compressor features the same award winning algorithm of The Glue, as well as an integrated sidechain selection and EQ panel.
The new algorithm for EQ 8 is an analog model of a linear SVF circuit, and as such shares the excellent noise performance, as well as ultra smooth modulation properties, of the ideal circuit. The cutoff of EQ 8 can be swept smoothly with automation without the horrible artefacts of commonly used EQ algorithms.
Cytomic looks forward to helping out with further advice and improvements to the outstandingly intuitive and wonderful Live software made by Ableton.
Manage Cookie Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.